Robius, the fact that *some* people are resentful is a result of hype-- hype that is just a lawyer's hair short of what is known as "lies", that by now we should all spot in our sleep -- in elections, in commercials, Russian brides, and in promo "literature". Watch any TV, Robius?
Guys like you were hyped on the implied supernatural artificial intelligence of the unit, that somehow was going to map itself to various things YOU wanted to control. You looked at Live, you looked at the Quneo, and you *wanted* to believe that the two would just work together like apple and pie. But, detail, Quneo's just a versatile MIDI controller, and Ableton Live is just one of hundreds or thousands of programs that they'd have to customize the firmware to, to meet your specific dreams. Hey, they gave you two (2) Live Presets, so there you go!
Tweaks and Trekkies were oversold on the "community" aspect, and got a warm fuzzy thinking it was going to be open source. Yet for some zombie reason the company won't even release the development kit that would let the Tweaks and Trekkies make much better editors for it, which they would gladly do, for free, 'cause Tweaks are like that. No, KMI don't need no stinkin' cool software. OK.
And I guess *everybody* thought the company was going to take the $150,000 and put it all into the Quneo, instead of branching out with more ... hype. Live and learn?
But Robius, Dahlink, this is still a very, very, flexible controller. You won't find a cooler set of pads for the money, and even if all you do with it is trigger General Midi drum samples, using pressure or X/Y to modulate the sounds, I think it's probably still well worth it. And the colors are surely worth something! I'm using it with orchestral sounds and it gives me all sorts of ideas ... for later.
Now, if the two hundred bucks are critical to you, then of course return it and look for a gizmo dedicated to Live. But read the hype and glossies like a paranoid lawyer this time, or you'll be disappointed.